Granada yɛ saa Genesis agodie no mu baako a ɛma wo dwene nea enti a nnipa pii nka ho asɛm no ho. Wo hop kɔ saa tank a ɛyɛ nam yi mu —te nka sɛ ɛte sɛ nea wode aprɛm a wɔde aprɛm ahyɛ mu —na fa atamfo asorɔkye a ɛwɔ saa mmeae a ɛda hɔ a ɛyɛ agoprama so yi bɔ kɛkɛ. Nneɛma a wɔde di dwuma no yɛ mmerɛw (tu, tow, strafe), nanso basabasayɛ no kɔ soro ntɛmntɛm.

Nea m’ani gye ho ne sɛnea agoru no hyɛ wo ma wususuw nneɛma ho wɔ nwansena so. Worentumi mfa bulldoze nkɔ mu kɛkɛ —atamfo fi afã nyinaa, na wo tank no dan brɛoo sen adetɔ teaseɛnam a ɛwɔ ntwahonan a abubu. Bere a edi kan a midii agoru no, me ho dwiriw me efisɛ na minhu sɛnea gyinabea ho hia. Dodging te nka sɛ ɛyɛ clunky mfiase no, nanso bere a woanya rhythm no, nwene ntam shots bere a line up w’ankasa wo te nka sɛ weirdly abotɔyam.

Afei nso, nnyigyei no bɔ. Ɛwɔ sɛ classic Genesis bass growl, ne nyinaa yɛ crunchy na egye ntɛmpɛ, a ɛfata pɛpɛɛpɛ bere a wo atwa tank anum ne helikopta ho ahyia no. Sɛ wotutu sukuu dedaw a wɔtow tuo a wonkura wo nsa mu a, Granada fata sɛ wɔtow tuo. Just don’t blame me bere a woakɔ stuck replaying the first stage abɔ mmɔden sɛ wobɛbɔ wo score a ɛkorɔn no.